Immortels (1994-1996)
Jean-Baptiste Huynh's first work draws parallels between the facial features and handwriting of the members of the Académie Française. Through this dual study of morphology and calligraphy, the artist has created a personal and unique work of great maturity. He thus demonstrates his ability to carry out an editorial project in its entirety on this prestigious institution.
<bImmortels, Éditions Actes Sud, 1996
<bImmortels, Éditions Actes Sud, 1996
